(Video) Prism Riot: Everything Wrong with The Martian
YouTuber CinemaSins discusses Everything Wrong with The Martian.
(Video) Director Analysis: How Edgar Wright uses visual comedy in films
YouTuber Every Frame a Painting analyzes modern day comedies and how director Edgar Wright differentiates himself through his use of visual comedy.
(Video) Film Breakdown: How does music elevate the Lord of the Rings trilogy?
YouTuber Nerdwriter1 analyzes the role that music plays in elevating the plot of the Lord of the Rings trilogy.
(Video) Film Breakdown: GoodFellas
YouTuber Film-Drunk Love analyzes the classic GoodFellas in this film breakdown.
(Video) Scene Breakdown: How The Social Network uses phone calls as a thematic device
YouTuber Film-Drunk Love analyzes the use of phone calls as a thematic device in The Social Network.
(Video) Scene Breakdown: How Alfred Hitchcock blocks a scene
YouTuber Nerdwriter1 analyzes how Alfred Hitchcock's careful attention to the blocking, or relationship between the actors, setting, and camera, help to reveal thematic elements in his film…
(Video) Film Breakdown: Inside Out brings emotional theory to life
YouTuber Nerdwriter1 analyzes Inside Out's thematic relationship with historical emotional theorists.
(Video) Director Analysis: How Martin Scorsese uses silence
YouTuber "Every Frame a Painting" analyzes Martin Scorsese and his use of silence in his films.
Do spies like those on “The Americans” really exist?
Illegal spies living normal lives like those on "The Americans" do exist, but their lives aren't full of the exciting action and drama that fuel the stories of the television series.
Is “Everybody Wants Some!!” a kind of sequel to “Dazed and Confused”?
While the films are not directly linked, "Everybody Wants Some!!" is a kind of filmic older brother to "Dazed and Confused": it's about early adulthood’s next steps,…
Talk with the Filmmaker: “The Demons” Director Philippe Lesage on the Internal Monsters of Youth
ScreenPrism chats with director and screenwriter Philippe Lesage about his surreal ode to childhood fears, "The Demons."
Is “Girls” turning into a romantic comedy?
In its penultimate season, HBO's "Girls" is full of rom-com tropes like montages of sentimental couples' adventures. Are the clichés being used for a black romantic comedy theme?