How Does Clementine’s Hair Help Us Understand “Eternal Sunshine of the Spotless Mind”?
Clementine’s hair is an incredibly reliable point of reference throughout the ever-changing, manipulative style of "Eternal Sunshine of the Spotless Mind."
How Does “Spectre” Follow the Traditional Bond Film Formula?
"Spectre" is in every sense a traditional Bond film adjusted for present day audiences.
How Did “Dr. No” Establish the Contentious Concept of Female Obsession With James Bond?
"Dr. No" introduced a cinema version of James Bond -- one who is charming and suave, and apparently the object of every single female on the planet's affection.
How Does “Flesh and Bone” Compare to Other Ballet Films and TV Shows?
"Flesh and Bone," Starz's latest original drama, is a new take on the ballet film/TV genre. How does it compare to predecessors like Black Swan, The Red Shoes, Center Stage and…
What Does “Master of None” Say About Millennials?
"Master of None" is a portrait of millennials dealing with non-problems.
Who Is the Protagonist of “Taxi Driver” Based On, and How Does the Film Make Us Sympathize With Him?
Travis Bickle in "Taxi Driver" is modeled after two people - one real and one fictional. Although he's a morally repulsive man, the film's point of view (sometimes) makes us…
What Makes “L.A. Confidential” Character Bud White a Perfect Example of a Crime Fiction Detective?
Bud White in "L.A. Confidential" is a great example of a noir hero. He has a tough exterior, a lone wolf personality, and a soft spot for female companionship that reveals his inner self.
What Conventions Does “L.A. Confidential” Use to Create Its Neo-Noir Style?
"L.A. Confidential" builds upon the genre that birthed its type of storytelling and puts a modern spin on the material. It’s overly-complicated, excessively violent, undeniably…
How Are Tom Robinson and Boo Radley in “To Kill a Mockingbird” Similar? Are They the Mockingbirds?
Boo Radley and Tom Robinson are two innocent characters in "To Kill a Mockingbird" that are persecuted by ignorance and prejudice.
How Does “To Kill a Mockingbird” Interpret the Coexistence of Good and Evil?
"To Kill a Mockingbird" offers that good and evil are qualities present in everyone, but a person's actions and beliefs and tolerance are what separate the good from bad.
In “Collateral,” How Is Vincent a Conflicted Character?
Although Vincent may seem one dimensional, "Collateral's" grey-haired villain may be more two-sided than the audience gives him credit for.
Was There Such a Thing as an Underground Film Movement in East Germany?
Despite intense institutional pressure, underground filmmakers were able to pursue their art in secrecy.