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How Does “Belle DE Jour” Blend the Real and the Imagined Through Cinematography?

How Does “Our Last Tango” Highlight the Divide Between Emotional and Artistic Love?

How Does “Catastrophe” Subvert the Romantic Comedy Tropes?

What Is “Der Nachtmahr” Actually About? Is It Open to Interpretation?

How Did “Love & Mercy” Stars Paul Dano and John Cusack Prepare for Their Roles? Why Cast Both?

How Is the Title of “Prometheus” Significant?

How Does “A Streetcar Named Desire” Serve as a Requiem for the Old South?

Is Joseph Gordon-Levitt’s Parisian Accent in “The Walk” Any Good?

What Was the Original Title of “The Godfather: Part III”?

How Does “Fear and Loathing in Las Vegas” Look in Google’s Deepdream?

Why Has “The Wire” Been Used as a Focus of Higher Education Curricula?

Sean Baker and Trey Edward Shults Answer ScreenPrism’s Questions on Technological Innovation in Film