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Is there a linear story in “The Forbidden Room?” Does it matter?

How can one interpret the narrative chronology of “Mulholland Drive”?

Were all the players in “The Killing” really necessary to pull off the heist?

Is Diane in “Mulholland Drive” a call girl? What’s her story?

Would “12 Angry Men’s” jury composition and behaviors be acceptable in court?

How does “Singin’ in the Rain” constantly play at revealing the phoniness of Hollywood?

How does “12 Angry Men” use cinematography to build tension during the film?

In “The Martian,” does Watney need to use antibiotics after being wounded in space?

How does “Seinfeld” parody the Tonya Harding-Nancy Kerrigan scandal in “The Understudy”?

How did “Star Trek: The Next Generation” differentiate itself from the original series?

How does Picard on “Star Trek: The Next Generation” choose a warp speed?

What does “12 Angry Men” say about democracy and American civic duty?