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Which characters in “Titanic” were real people?

What does “double coding” mean as an interpretive strategy for film and television?

Is Patrick Bateman in “American Psycho” actually a serial killer, or is it in his head?

Was the Western genre “queer” before “Brokeback Mountain”?

Should “Forrest Gump” be viewed as conservative propaganda?

How was Greenbow, Alabama, in “Forrest Gump” influenced by the art of Norman Rockwell?

Outside the romantic comedy structure, would Annie in “Sleepless in Seattle” be seen as a stalker?

What’s the meaning of the tiramisu joke in “Sleepless in Seattle”?

Why is Phyllis in “Double Indemnity” hailed as one of cinema’s greatest femme fatales?

What is the song heard through the window during the climax of “Double Indemnity”?

What does it mean to call a woman a “Stepford Wife”?

How did “The Maltese Falcon” help craft the noir film genre?