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Is “Microbe and Gasoline” less surreal than Michel Gondry’s other films?

How much of “Microbe and Gasoline” is an autobiography of Michel Gondry’s childhood?

When would “Angels With Filthy Souls,” the film within “Home Alone,” have been made?

Why is “The Proposition” a spiritual Western?

How has “Home Alone” endured as a fan favorite over time? Can it continue?

In “The Lion King,” could Simba and Nala be half-siblings?

What did “Friends” say about ‘90s dating culture? What has changed since then?

How does “Elf” transcend “holiday movie” pitfalls and emerge as a balanced film?

Why is “Bride of Frankenstein” often analyzed as a gay parable?

Does Buddy in “Elf” change, or does his character evolve by staying the same?

In “Gilda,” what is the significance of the “Put the Blame on Mame” number?

What is the difference between the male gaze and female objectification?