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How does “Jessica Jones” create an updated, feminist version of noir?

How does “Marvel’s Jessica Jones” fit into a neo-noir superhero genre?

In “Being Mary Jane”, how does the show’s Atlanta setting allow it to address racial issues?

Is a female gaze possible in cinema?

How Does the Contrasting Color Palette of “Cries and Whispers” Assist the Story?

What are the interpretations of Chance walking on water at the end of “Being There”?

Is Mrs. Lovett the real villain in Tim Burton’s “Sweeney Todd”?

Does “The Birds” Have a MacGuffin?

How does “Boondock Saints” show the occasionally vast divide between critical and audience reception?

What does the title “The Constant Gardener” mean?

Is “Grave of the Fireflies” based on a true story?

Will the special episode of BBC series “Sherlock” work in its original Victorian setting?