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Ask the Professor: Were the five sequels to “400 Blows” a new kind of episodic storytelling?

Ask the Professor: Why is the therapist scene in “400 Blows” so iconic?

Ask the Professor: Why does “400 Blows” end on a freeze frame? What was influential about it?

Ask the Professor: Why does “Butch Cassidy and the Sundance Kid” end with a freeze frame?

Why is “Mr. Holmes” more like “Gods and Monsters” than other Sherlock Holmes films?

Why did “Vertigo” beat out “Citizen Kane” as Greatest Film in the 2012 Sight & Sound Poll?

Ask the Professor: In “Exterminating Angel,” why can’t the guests leave?

Ask the Professor: What was the political background of Buñuel’s “Exterminating Angel”?

Ask the Professor: Why do “Exterminating Angel” and “Discreet Charm” satirize the ritual of eating?

Ask the Professor: How does “Exterminating Angel” compare to Buñuel’s earlier surrealist films?

Ask the Professor: Do “Butch Cassidy,” “The Wild Bunch” and “Bonnie and Clyde” glorify violence?

Ask the Professor: What is the significance of the “Raindrops” sequence in “Butch Cassidy”?